Cree, Coast Salish
Randy Stiglitz was born in 1956 on the Capilano Reservation in North Vancouver, British Columbia. He began carving in the early 1970s during the first resurgence in Northwest Coast art and culture. This was also the earliest stages of the development of the Northwest Coast art market. Many of the Coast Salish began their careers working in Kwakwaka’wakw style because it had an immediate presence in the market through commissions such as the Thunderbird Park project in Victoria. It also offered the largest range of objects and the collector interest was already established.
Many of the traditional Coast Salish objects were restricted from entering the market because of their private and personal significance to the culture. Some of these objects were used and then burned to protect the information held by the object. The Coast Salish only had one mask which had documented usage which was the Sxwayxwey mask. This mask was used in healing ceremonies and is still very much protected.
Randy moved to Victoria for four years to study and carve with the large number of Kwakwaka’wakw artists living in the area. He studied with Gene Brabant and John Livingston at the Hunt family studio. Both of these artists carved from a scholarly and formal point of reference. They were interested in analyzing the stylistic attributes of each of the major historical artists and translating these elements into their own work.
Randy returned to Vancouver and began carving on a full-time basis. He continues to carve in the tradition of Kwakwaka’wakw, Salish and Tlingit cultural styles. His wife Janice Morin is an accomplished Coast Salish artist known for her fine painting techniques and interpretations of particular styles.
Bio edited from Spirit Wrestler Gallery, of Vancouver, Canada, a 24 year-running gallery we loved and highly recommended; closed October, 2019